Issue 2:2 | Featured Artist | Thomas Rain Crowe
When the black boat breaks free from the hook
that hangs in the mud and the heron flies
off from its mast and the cry of gulls
like boys that are babies and far from milk and the
thrashing of dove wings in trees and
the sex sound of water on stone covered with sun
and the tern’s trill takes flight
over the brown bay booming with silence, I
wake from the tall tales of night and the nuisance
of nodding and cry no more for my homesick hills
heavy with the roar of thunder and the crash
of jagged light.
When the black boat breaks free from the hourglass, I
am here with the Welsh-tongued tide of a tangled bay
and the chirping wind that whispers through the
green grass for the fresh-mowed hay and the
high-brow of the hills haunted by hedgerows and
the promise of fistfights on Friday night drunken
with ale and the buzz of bees that bend
the ear of the path where no brown bear sways
and no bird sings for the sake of singing or
song or writes words for the world
choir clear down in Cardiff that clouds
can see on a clear day that catches
crawdads the way I dip words into ink
for an inkling or for a rub of flesh.
When the black boat breaks off from the heartland
and the highlife of high-strung sails and the
slow suicide of sun becomes food for the binge of
night and nocturne busts loose from the deathgrip of
the 1 in Wales and the laugh in Laugharne,
I reach for the aurora borealis of solstice sliding
down from the black sky to where the black boat
leans like a leak in creekbed or a lupine in wind
where a hawk hangs like lightning in my ink
and breaks free.