Issue 3:2 | Poetry | Rachel Jennings

Three Poems by Rachel Jennings

 

 

Chicano Studies
Muy estimado
Don Profe Chicano,
I mean no disrespect,
but a kindly compañera
once confided that she
overheard some jokes,
your door cracked open
but she not seen outside.
Some silly banter about
Kentucky trash, inbred
fools, possum folkways.
My whole past, that is.
So, in short, I never enrolled
in your classes, but
I have wondered always
whether to sit at that table
might have felt like family.
No, for us, a dialectic:
an unlikely pair, intense,
heard in half-historic hallways
in fully formal argument
that might approach affection.
The movie would go another way,
of course, if directed by
Hector Galan or Luis Valdez,
and yet another way if cut by
coalmining Kentucky cowboys
who’ve never seen a sunset
(and won’t) but love a hick flick,
a whiskey-drenched Western.
Still, I reckon, in our storyline,
our names would be
linked forever, duly recorded
in an index or the endnotes.
Let’s imagine it.

 

 

Corpus Christi

Getting off

the bus, bone-tired,

in Corpus Christi

on the Gulf Coast,

I seemed

a beaten soldier

come home

or a scared wife

on the lam

as I strained

in a body

that could not

forget Knoxville

or how to work a job

or crave a bed

or want a meal.

 

At that moment

the sky-tossed voices

of past lives sang anew,

rose high-sounding like

something lonesome not cruel

indeed close enough

to embrace in both arms

as if I had listened

for the first time

to sole-trodden earth

or saw suddenly

that the lights flickering

on the time-crowded highway

were a sacred dance music

whose insistent rhythms

threaded the broken night

like the tortured branches

of a patriarchal tree

or the veined cracks

in a baroque mirror

brought home

to a wife

from a war gone by.

 

Dancing off the pavement,

each rhythmic note sang another.

 

 

Crashing the Gates

It’s some

off-the-streets,

clean-air-for-slum-kids

charity scam

deep in the postmodern

wilderness.

 

A small-town spin mill

produces the news

that half-craighed Irish teens

from Derry and Belfast

have landed safely

and picture-perfect

in the Atomic City,

the City of Tomorrow,

the City Behind

               a Picket Fence,

the Gated Community

               for Peaceful Living

incorporated

as Oak Ridge, Tennessee—

to us, ridges and valleys

lost on a dime spin

and jokingly named

the Manhattan Housing Project.

 

It’s time to land the plane.

It’s time to crash the gates.

 

The Transatlantic kids are vessels

in Tennessee

 

of learning and remembering.

They will not surrender.

They are unsinkable iconoclasts, and

it’s time to rock the boat.

 

‘R-U Ready for the Coming?’

asks the sign

hand-stencilled

and nailed to a tree

by the side of the road

in rural Anderson County.