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Issue 4:1 I Poetry I Emmanuel Jakpa
Cottage
Ireland at Lough Gill
Sunlight punctured three holes in the left corner
of the roof, near this moss covered chair Beezie once sat.
Nothing in particular seems to require more attention.
I throw my gaze out on the lake water,
noting what strikes the most.
Four long neck birds fly across, close to the puny tides
that reel in stairways towards the shore,
and there they crash and break on smooth pebbles.
One must really like the peace-on-ice
to live alone in this wooden cabin. Hollowness
creep into my heart as I long to confirm
that out there someone is going about its daily business.
I think as our cities become densely populated,
more and more people will desire and seek
strange places where they can take in some drops
of silence or peace into their system,
where they can breath freer; but none will come
and live here, now this woman is gone.
The New
Narrative Poetry
for Rob
Merritt
The lens of the camera of my mind, adjust here and there,
focusing on some intricate lines
as photographers do taking pictures
in a museum.
At another instance, it feels as if I climb up the steep back of a rock,
reach the top – ah!
the ocean sprawls before me
like the throbbing heart of the world:
fingering chords
of pizzicati,
the accompaniment of Song of Songs,
I sing along
‘Upon the green bed, beneath cedar rafters, comfort
me
like wind
from the south through cinnamon trees',
I stop, to clear my throat,
continue, as if being watched,
‘rush like gazelles
through the vineyards before dawn
up to the
mountains of spices’.
For like ships sailing across unruffle sea
under a steady current of wind,
I glide through your poems
on skateboard under the keen
propulsion of your narrative, so creaseless.
I relearn a new way of writing without ‘like’, no
without Simile.
We Welcome
You
We open our hands and welcome you
as you come and drill crude oil.
But first take a look around,
at our fertile yam fields, leaves coiled up to the sun,
outstretched like human palms,
then tall stems of cassava
with the sweetness of rain;
in the forest, antelopes evade the spears
of hunters crunching with nimble thighs,
and on the rivers and swampy creeks,
fishermen balance all day on patoon boats,
catching tilapias with hooks and nets;
night, chorals songs float from off the hinterland
with the wet monsoon of June
like a whiff of the aroma of hot food that is perceived
on your way back home.
There is laughter, and there is dance. Children are playing
clapping their hands and stamping their feet.
We open our hands and welcome you
as you come and drill crude oil.
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